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Regency Personalities Series
In my attempts to provide us with the details of the Regency, today I continue with one of the many period notables.

Denis Pack
1772–1823

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Denis Pack

Denis Pack was a descendant of Sir Christopher Packe. He saw service in Flanders in 1794, was on the Quiberon expedition of 1795, and in Ireland of the suppression of the rebellion in 1798.

He commanded the 71st Foot during the capture of the Cape of Good Hope in 1806, was in the Peninsular in 1808, and the Walcheren expedition, 1809, He was promoted to major-general in 1813 and commanded (1810–14) a Portuguese brigade in Spain. He was honoured with a K.C.B. in 1815 and commanded a brigade of Picton’s division at the Battle of Waterloo.

Trolling Down to Old Mah Wee

Not only do I write Regency and Romance, but I also have delved into Fantasy.

The Trolling series, (the first three are in print) is the story of a man, Humphrey. We meet him as he has left youth and become a man with a man’s responsibilities. We follow him in a series of stories that encompass the stages of life.

We see him when he starts his family, when he has older sons and the father son dynamic is tested. We see him when his children begin to marry and have children, and at the end of his life when those he has loved, and those who were his friends proceed him over the threshold into death.

All this while he serves a kingdom troubled by monsters. Troubles that he and his friends will learn to deal with and rectify. It is now available in a variety of formats.

For $2.99 you can get this 2nd book in the fantasy adventure series of Humphrey and Gwendolyn.

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Barnes and Noble for your Nook

Smashwords

Amazon for your Kindle

When the neighboring kingdom of Mah Wee begins to experience the same problems that beset Torahn some years before, they urgently request the aid of the experts in containing a new Troll infestation. But eradicating Trolls is not as easy as exterminating a few rats or mice.

Trolls are bigger than men, they are stronger than men, and then are meaner than men. Humphrey Cutter and his band of mismatched warriors must once again rise to the occasion, but can they without the aid of expertise of Gwendolyn and her particular skills?   

Mah Wee, an ancient kingdom, with a monarch more steeped in the rights of being a king rather than the obligations and duties that a king should be. Here Humphrey and his crew finds that they have more than Trolls to overcome if they are to save Mah Wee from the same or nearly similar problems that they faced before in Torahn.

But, as Humphrey knows, nothing can truly be accomplished if the lovely Gwendolyn is not able to lend her aid as well.

Feedback

If you have any commentary, thoughts, ideas about the book (especially if you buy it, read it and like it ;-) then we would love to hear from you.

Caution’s Heir

Caution’s Heir is now available at all our internet retailers and also in physical form as well

The Trade Paperback version is now available for purchase here @ $15.99 (but as of this writing, it looks like Amazon has still discounted it 10%)

Caution’s Heir is also available digitally for $4.99 @ the iBookstore, Amazon, Barnes and Noble, Kobo and Smashwords.

The image for the cover is a Cruikshank, A Game of Whist; Tom & Jerry among the ‘Swell Broad Coves.’ Tom and Jerry was a very popular series of stories at the time.

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Teaching a boor a lesson is one thing.
Winning all that the man owns is more than Lord Arthur Herrington expects. Especially when he finds that his winnings include the boor’s daughter!

The Duke of Northampshire spent fortunes in his youth. The reality of which his son, Arthur the Earl of Daventry, learns all too well when sent off to school with nothing in his pocket. Learning to fill that pocket leads him on a road to frugality and his becoming a sober man of Town. A sober but very much respected member of the Ton.

Lady Louisa Booth did not have much hope for her father, known in the country for his profligate ways. Yet when the man inherited her gallant uncle’s title and wealth, she hoped he would reform. Alas, that was not to be the case.

When she learned everything was lost, including her beloved home, she made it her purpose to ensure that Lord Arthur was not indifferent to her plight. An unmarried young woman cast adrift in society without a protector. A role that Arthur never thought to be cast as. A role he had little idea if he could rise to such occasion. Yet would Louisa find Arthur to be that one true benefactor? Would Arthur make this obligation something more? Would a game of chance lead to love?

Today, the iBookstore is added, HERE
Get for your Kindle, Here
In Trade Paperback, Here
Digitally from Smashwords, Here
For your Sony Kobo, Here
Or for your Nook, Here

From our tale:

Chapter One

St. Oswald’s church was bleak, yet beautiful all in one breath. 13th century arches that soared a tad more than twenty feet above the nave provided a sense of grandeur, permanence and gravitas. These prevailed within, while the turret-topped tower without, once visible for miles around now vied with mature trees to gain the eye of passers-by.

On sunny days stain-glass windows, paid for by a Plantagenet Baron who lived four hundred years before and now only remembered because of this gift, cast charming rainbow beams across the inner sanctum. And on grey overcast days ghostly shadows danced along the aisle.

As per the custom of parish churches the first three pews were set-aside for the gentry. On this day the second pew, behind the seat reserved for the Marquess of Hroek, who hadn’t attended since the passing of his son and heir, was Louisa Booth his niece and her companion Mrs Bottomworth.

Mrs Bottomworth was a stocky matron on the good side of fifty. Barely on the good side of fifty. But one would not say that was an unfortunate thing for she wore her years well and kept her charge free of trouble. Mrs Bottomworth’s charge was an only child, who would still have been in the schoolroom excepting the fact of the death of her mother some years earlier. This had aged the girl quickly, and made her hostess to her father’s household. The Honourable Hector Booth, third son of the previous Marquess, maintained a modest house on his income of 300 pounds. That was quite a nice sum for just the man and one daughter, with but five servants. They lived in a small, two floor house with four rooms. It should be noted that this of course left two bedchambers that were not inhabited by family members. As the Honourable Mr Booth saved his excess pounds for certain small vices that confined themselves with drink and the occasional wager on a horse, these two rooms were seldom opened.

Mrs Bottomworth had thought to make use of one of the empty rooms when she took up her position, but the Honourable Hector Booth advised and instructed her to share his daughter’s room. For the last four years this is what she had done. When two such as these shared a room, it was natural that they would either become best of friends, or resent each other entirely. Happily the former occurred as Louisa was in need of a confidant to fill the void left in her mother’s absence, and Mrs Bottomworth had a similar void as her two daughters had grown and gone on to make their own lives.

The Honourable Mr Booth took little effort in concerning himself with such matters as he was ever about his brother’s house, or ensconced in a comfortable seat at either the local tavern or the Inn. If those locations had felt he was too warm for them, he would make a circuit of what friends and acquaintances he had in the county. The Honourable Mr Booth would spend an hour or two with a neighbour discussing dogs or hunters, neither of which he could afford to keep, though he did borrow a fine mount of his brother to ride to the hunt. The Marquess took little notice, having reduced his view of the world by degrees when first his beloved younger brother who was of an age between the surviving Honourable Mr Booth had perished shortly after the Marquess’ marriage. Their brother had fallen in the tropics of a fever. Then the Marquess had lost his second child, a little girl in her infancy, his wife but a few years after, and most recently his son and heir to the wars with Napoleon.

This caused the Honourable Mr Booth to be heir to Hroek, a situation that had occurred after he had lost his own wife. With that tragedy, Mr Booth had found more time to make friends with all sorts of new bottles, though not to a degree that it was considered remarkable beyond a polite word. Mr Booth was not a drunkard. He was confronting his grief with a sociability that was acceptable in the county.

Louisa, however, was cast further adrift. No father to turn to. No uncle who had been the patriarch of the family her entire life. And certainly now no feminine examples to follow but her companion and governess, Mrs Bottomworth. That Mrs Bottomworth was an excellent choice for the task was more due to acts of the Marquess, still able to think clearly at the time she was employed, than to the Honourable Mr Booth. Mr Booth was amenable to any suggestion of his elder brother for that man controlled his purse, and as Mr Booth was consumed with grief, while the Marquess had adapted to various causes of grief prior to the final straw of his heir’s death, the Marquess of Hroek clearly saw a solution to what was a problem.

Now in her pew, where once as a young girl she had been surrounded by her cousins, parents, uncles and aunt, she sat alone except for her best of friends. Louisa was full of life in her pew, her cheeks a shade of pink that contrasted with auburn hair, which glistened as sunlight that flowed though the coloured panes of glass touched it from beneath her bonnet. Blue eyes shown over a small straight nose, her teeth were straight, though two incisors were ever so slightly bigger than one would attribute to a gallery beauty painted by Sir Thomas Lawrence.

She was four inches taller than five feet, so rather tall for a young woman, but her genes bred true, and many a girl of the aristocracy was slightly taller than those women who were of humbler origins. Her back was straight and for an observant man, of which there were some few in the county, her figure might be discussed. The wrath though of her uncle the Marquess would not wish to be bourne should it be found out that her form had become a topic amongst the young men. Noteworthy though was that she had a figure that men thought inspiring enough to tempt that wrath, and think on it. A full bosom was high on her chest, below her heart shaped face. She was lean of form, though her hips flared just enough that one could see definition in her torso. Certainly a beauty Sir Thomas’ brushes would wish the honour to meet.

The vicar Mr Spotslet had at one time in his early days in the community, discussed the Sunday sermons with the Marquess. Mr Spotslet had enjoyed long discussions of theology, philosophy, natural history and the holy writ that were then thoughtfully couched in terms to be made accessible by the parish. The lassitude that had overtaken the Marquess had caused those interviews to become shortened and infrequent and as such the sermons suffered, as many were wont to note. There had been dialogues that Mr Spotslet had engaged in with the attendees of his masses. Now he seemed to have lost his way and delivered soliloquies.

This day Mr Spotslet indulged in a speech that talked to the vices of gambling. The local sports, of which the Honourable Mr Booth was an intimate, had raced their best through the village green the previous Wednesday for but a prize of one quid, and this small bet had caused pandemonium when Mrs McCaster had fallen in the street with her washing spread everywhere and trampled by the horses. Not much further along the path, Mr Smith the grocer’s delivery for the vicar himself was dropped by the boy and turned into detritus as that too was stampeded over. A natural choice for a sermon, yet only two of the culprits were in attendance this day. The rest had managed to find reasons to avoid the Mass.

Louisa squirmed a little in her seat the moment she realised that her father had been one of the men that the sermon was speaking of. Was she not the centre of everyone’s gaze at such a time? Her father having refused to attend for some years, and her uncle unable due to his illness. She was the representative of the much reduced family. Not only was it expected that the parish would look to her as the Booth of Hroek, but with her father’s actions called to the attentions of all, it was natural that they look at her again. This time in a light that did not reflect well on her father and she knew that she had no control over that at all.

Mrs Bottomworth, who might have been lightly resting her eyes, Louisa would credit her in such a generous way, came to tensing at the mention of the incident. Louisa did not want to bring her friend to full wakefulness, but Mrs Bottomworth realised what was occurring and the direction that the sermon was taking. Louisa’s companion took her hand and patted it reassuringly.

“Perhaps a social call on Lady Walker?” Mrs Bottomworth suggested as they walked back to the house after services. The house which sat just within the estate boundaries was four hundred feet off the main bridal way that led to Hroek Castle. A small road had been cleared from the gatehouse to the house that Mr Booth now maintained, and this the two women travelled.

Louisa generally appreciated visits such as this as she had gotten older, and certainly several of the adults in the neighbourhood showed a kindly interest in her education and the development of her social manners. “I think I shall go to the castle and read to my uncle.” A task that she had done each day of the last fortnight but one.

“We have not talked, but you and the Marquess had an interview with the doctors.” Mrs Bottomworth had tried to comfort her charge after that, but Louisa had waved her hand and gone to sit quietly under a yew tree that had a grand vista of the park leading to Hroek Castle.

 “Uncle will be most lucky if he should be with us come Michaelmas.”

“That will be a sad day when we lose such a friend.” These were words of comfort. Mrs Bottomworth had been well encouraged in her charge by the Marquess but one could not say that they interacted greatly with one another. The Marquess ensured that his brother heeded the suggestions and advisements of Mrs Bottomworth as the Honourable Mr Booth left to his own devices would have kept his daughter in the nursery and would have forgotten to send a governess to provide her with instruction.

“Indeed, my uncle may not have been one of the great men of England, but he is well regarded in the county.” Often with that statement followed the next, “Warmly remembered is it when the Prince Regent came and stayed for a fortnight of sport and entertainment.” This had been many years before, and certainly before any of the tragedies beset the line of the Booths.

“Yes, I have heard it said with great earnestness. But come let us change your clothes and then we shall go up to the great house. I shall have Mallow fetch the gig so we may proceed all the more expeditiously.”

“That would be good, but we will have to use the dogcart. Father was to take the gig to see Sir Mark today, or so he said at breakfast.” Where Louisa knew he would drink the Baronet’s sherry for a couple hours before thinking to return, unless he was asked to stay for dinner.

Regency Personalities Series
In my attempts to provide us with the details of the Regency, today I continue with one of the many period notables.

John Soane
10 September 1753 – 20 January 1837

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John Soane

Soane was born in Goring-on-Thames on 10 September 1753. He was the second surviving son of John Soan and his wife Martha. The ‘e’ was added to the surname by the architect in 1784 on his marriage. His father was a builder or bricklayer, and died when Soane was fourteen in April 1768. He was educated in nearby Reading in a private school run by William Baker. After his father’s death Soane’s family moved to nearby Chertsey to live with Soane’s brother William, 12 years his elder. William was also a bricklayer. His brother introduced Soane to James Peacock, a surveyor who worked with George Dance the Younger. Soane began his training as an architect age 15 under George Dance the Younger and joining the architect at his home and office in the City of London at the corner of Moorfields and Chiswell Street. Dance was a founding member of the Royal Academy and doubtless encouraged Soane to join the schools there on 25 October 1771 as they were free. There he would have attended the architecture lectures delivered by Thomas Sandby and the lectures on perspective delivered by Samuel Wale. Soane would have had access to the library at the Royal Academy.

Dance’s growing family was probably the reason that in 1772 Soane continued his education by joining the household and office of Henry Holland. He recalled later that he was ‘placed in the office of an eminent builder in extensive practice where I had every opportunity of surveying the progress of building in all its different varieties, and of attaining the knowledge of measuring and valuing artificers’ work’. During his studies at the Royal Academy, he was awarded the Academy’s silver medal on 10 December 1772 for a measured drawing of the facade of the Banqueting House, Whitehall, which was followed by the gold medal on 10 December 1776 for his design of a Triumphal Bridge. He received a travelling scholarship in December 1777. In 1777 he exhibited at the Royal Academy a design for a Mausoleum for his friend and fellow student James King, who had drowned in 1776 on a boating trip to Greenwich. Soane, a non-swimmer, was going to be with the party but decided to stay home and work on his design for a Triumphal Bridge. By 1777 Soane was living in his own accommodation in Hamilton Street. In 1778 he published his first book Designs in Architecture. He sought advice from Sir William Chambers on what to study: ‘Always see with your own eyes…[you] must discover their true beauties, and the secrets by which they are produced’. Using his travelling scholarship of £60 per annum for three years, plus an additional £30 travelling expenses for each leg of the journey. Soane set sail on his Grand Tour, his ultimate destination being Rome, at 5:00 a.m. 18 March 1778.

His travelling companion was Robert Furze Brettingham, they travelled via Paris, where they visited Jean-Rodolphe Perronet, they went onto the Palace of Versailles on 29 March. They finally reached Rome on 2 May 1778. Soane wrote home ‘my attention is entirely taken up in the seeing and examining the numerous and inestimable remains of Antiquity…’. Soane’s first dated drawing is 21 May of Sant’Agnese fuori le mura. Soane’s former classmate, the architect Thomas Hardwick returned to Rome in June from Naples. He and Soane would produced a series of measured drawings and ground plans of Roman buildings together. During the summer they visited Hadrian’s Villa and the Temple of Vesta, Tivoli, back in Rome they investigated the Colosseum. In August Soane was working on a design for a British Senate House to be submitted for the 1779 Royal Academy summer exhibition.

In the autumn he met the builder and Bishop of Derry, Frederick Hervey, 4th Earl of Bristol. The Earl presented copies of I quattro libri dell’architettura and De architectura to Soane. In December the Earl introduced Soane to Thomas Pitt, 1st Baron Camelford this would lead eventually to architectural commissions. The Earl persuaded Soane to accompany him to Naples setting off from Rome on 22 December 1778. On the way they visited Capua and the Palace of Caserta arriving in Naples on 29 December. It was in Naples that Soane met two future clients, John Patteson and Richard Bosanquet. From Naples Soane made several excursions including: Pozzuoli, Cumae, Pompeii where he met yet another future client Philip Yorke. Soane also attended a performance at Teatro di San Carlo and climbed Mount Vesuvius. Visiting Paestum, Soane was deeply impressed by the Greek temples. Next he visited the Certosa di Padula, then on to Eboli and Salerno and its cathedral. Later they visited Benevento and Herculaneum. The Earl and Soane left for Rome on 12 March 1779, travelling via Capua; Gaeta; the Pontine Marshes; Velletri; Alban Hills and Lake Albano; Castel Gandolfo. Back in Rome they visited the Palazzo Barberini, and witnessed the celebrations of Holy Week. Shortly after the Earl and his family departed for home, followed a few weeks later by Thomas Hardwick.

It was now that Soane met Maria Hadfield (they became lifelong friends) and Thomas Banks, Soane was now fairly fluent in the Italian language. Signs of his growing confidence. It was now that a party of British men, Thomas Bowdler, Rowland Burdon, John Patteson, John Stuart and Henry Grewold Lewis, decided to visit Sicily and paid for Soane to accompany them as a draughtsman. The party headed for Naples on 11 April, where on 21 April they caught a Swedish ship to Palermo. Soane visited the Villa Palagonia, which made a deep impact on him. Influenced by the account of the Villa in his copy of Patrick Brydone’s Tour through Sicily and Malta, Soane savoured the ‘Prince of Palagonia’s Monsters… nothing more than the most extravagant caricatures in stone’ but more significantly seems to have been inspired by the Hall of Mirrors to introduce similar effects when he came to design the interiors of his own house in Lincoln’s Inn Fields. Leaving Palermo from where the party split, Stuart and Bowdler going off together. The rest headed for Segesta, Trapani, Selinunte and Agrigento, exposing Soane to Ancient Greek architecture. From Agrigento the party headed for Licata, where they sailed for Malta and Valletta returning on 2 June, to Syracuse, Sicily. Moving on to Catania and Palazzo Biscari then Mount Etna, Taormina, Messina and the Lepari Islands. They were back in Naples by 2 July where Soane purchased books and prints, visiting Sorrento before returning to Rome. Shortly after John Patterson returned to England via Vienna, from where he sent Soane the first six volumes of The Life and Opinions of Tristram Shandy, Gentleman, delivered by Antonio Salieri.

In Rome Soane’s circle now included Henry Tresham, Thomas Jones (artist) and Nathaniel Marchant. Soane continued to study the buildings of Rome, including the Basilica of St. John Lateran. Soane and Rowland Burdon set out in August for Lombardy. Their journey include visits to Ancona, Rimini, Bologna, Parma and its Accademia, Milan, Verona, Vicenza and its buildings by Andrea Palladio, Padua, the Brenta (river) with its villas by Palladio, Venice. Then back to Bologna where Soane copied designs for completing the west front of San Petronio Basilica including ones by Palladio, Vignola and Baldassare Peruzzi. Then to Florence and the Accademia delle Arti del Disegno of which he was later, in January 1780 elected a member; then returned to Rome.

Soane continued his study of buildings, including Villa Lante, Palazzo Farnese, Palazzo Massimo alle Colonne, the Capitoline Museums and the Villa Albani. That autumn he met Henry Bankes, Soane prepared plans for the Banke’s house Kingston Lacy, but these came to nothing. Early in 1780 Frederick Augustus Hervey, 4th Earl of Bristol wrote to Soane offering him various architectural commissions, Soane decided to return to England and began to organise his return journey. He left Rome on 19 April 1780, travelling with the Reverend George Holgate and his pupil Michael Pepper. They visited the Villa Farnese, then on to Siena. Then Florence where they visited the Palazzo Pitti, Uffizi, Santo Spirito, Florence, Giotto’s Campanile and other sites. Performing at the Teatro della Pergola was Nancy Storace with whom Soane formed a lifelong friendship. Their journey continued on via Bologna, Padua, Vicenza, Verona, Mantua where he sketched Palazzo del Te, Parma, Piacenza. Milan where he attended La Scala, the theatre was a growing interest, Lake Como from where they began their crossing of the Alps via the Splügen Pass. They then passed on to Zurich, Reichenau, Switzerland, Wettingen, Schaffhausen, Basel on the way to which the bottom of Soane’s trunk came loose on the coach and spilled the contents behind it, he thus lost many of his books, drawings, drawing instruments, clothes and his gold and silver medals from the Royal Academy (none of which was recovered). He continued his journey on to Freiburg im Breisgau, Cologne, Liège, Leuven and Brussels before embarking for England.

He reached England in June 1780, thanks to his Grand Tour he was £120 in debt. After a brief stop in London, Soane headed for Frederick Augustus Hervey, 4th Earl of Bristol’s estate at Ickworth House in Suffolk, where the Earl was planning to build a new house. But immediately the Earl changed his mind and dispatched Soane to Downhill House, County Londonderry, in Ireland, where Soane arrived on 27 July 1780. The Earl had grandiose plans to rebuild the house, but Soane and the Earl disagreed over the design and parted company, Soane receiving only £30 for his efforts, he left via Belfast sailing to Glasgow. From Glasgow he travelled to Allanbank, Scottish Borders, home of a family by the name of Stuart he’d met in Rome, he prepared plans for a new mansion for the family, but again the commission came to nothing. In early December 1780 Soane took lodgings at 10 Cavendish Street London. To pay his way his friends from the Grand Tour, Thomas Pitt and Philip Yorke gave him commissions for repairs and minor alterations. Anna, Lady Miller considered building a temple in her garden at Batheaston to Soane’s design and he hoped he might receive work from her circle of friends. But again this was not be so. To help him out, George Dance gave Soane a few measuring jobs, including one in May 1781 on his repairs to Newgate Prison of damage caused by the Gordon Riots.

To give Soane some respite, Thomas Pitt invited him to stay in 1781 at his Thamesside villa of Petersham Lodge which Soane was commissioned to redecorate and repair. Also in 1781 Philip Yorke gave Soane commissions, at his home Hamels Park in Hertfordshire, he designed a new entrance gate and lodges, followed by a new dairy and alterations to the house, and in London alterations and redecoration of 63 New Cavendish Street. Increasingly desperate for work Soane entered a competition in March 1782 to design a prison, but failed to win. Soane continued to get other minor design work in 1782.

From the mid-1780s on Soane would receive a steady stream of commissions until his semi-retirement in 1832.

It wasn’t until 1783 that Soane received his first commission for a new country house, Letton Hall, Norfolk, the house was a fairly modest villa but it was a sign that at last Soane’s career was taking off and led to other work in East Anglia; Saxlingham Rectory in 1784 and Shotesham Hall, Shotesham in 1785; Tendring Hall, Suffolk, (1784–86) and the remodelling of Ryston Hall (1787)

At this early stage in his career Soane was dependent on domestic work, including: Piercefield House (1784) now a ruin; the remodelling of Chillington Hall (1785); The Manor, Cricket St Thomas (1786); Bentley Priory (1788); the extension of the Roman Catholic Chapel at New Wardour Castle (1788). An important commission in terms of the client, were alterations to William Pitt the Younger’s house at Holwood House in 1786, Soane had befriended William Pitt’s uncle Thomas on his grand tour; In (1787) Soane remodelled the interior of Fonthill Splendens (later replaced by Fonthill Abbey) for Thomas Beckford, adding a picture gallery lit by two domes and other work.

On 16 October 1788, he succeeded Sir Robert Taylor as architect and surveyor to the Bank of England, he would work at the bank for the next 45 years, resigning in 1833. Given Soane’s youth and relative inexperience, his appointment was down to the influence of William Pitt then the Prime Minister and his friend from the Grand Tour Richard Bosanquet whose brother was Samuel Bosanquet, Director and later Governor of the Bank of England. His salary was set at 5% of the cost of any building works at the Bank, paid every six months. Soane would virtually rebuild the entire bank, and vastly extend it. The five main banking halls were based on the same basic layout, starting with the Bank Stock Office of 1791–96, consists of a rectangular room, the centre with a large lantern light supported by piers and pendentives, then the four corners of the rectangle have low vaulted spaces, and in the centre of each side compartments rising to the height of the arches supporting the central lantern, the room is vaulted in brick and windows are iron framed to ensure the rooms are as fire proof as possible.

His work at the bank was:

  • Erection of Barracks for the Bank Guards and rooms for the Governor, officers and servants of the Bank (1790).
  • Between 1789 and February 1791 Soane oversaw acquisition of land northwards along Princes Street.
  • The erection of the outer wall along the newly acquired land (1791).
  • Erection of the Bank Stock Office the first of his major interiors at the bank, with its fire proof brick vault (1791–96).
  • The erection of The Four Percent Office (replacing Robert Taylor’s room) (1793).
  • The erection of the Rotunda (replacing Robert Taylor’s rotunda) (1794).
  • The erection of the Three Percent Consols Transfer Office (1797–99).
  • Acquisition of more land to the north along Bartholomew Lane, Lothbury and Prince’s Street (1792).
  • Erection of outer wall along the north-east corner of the site, including an entrance arch for carriage (1794–98).
  • Erection of houses for the Chief Accountant and his deputy (1797).
  • The erection of the Lothbury Court within the new gate, leading to the inner courtyard used to receive Bullion (1797–1800).
  • Extension of the Bank to the north-west, the exterior wall was extended around the junction of Lothbury and Princes Street, forming the ‘Tivoli Corner’ which is based on the Temple of Vesta, Tivoli that Soane had visited and much admired, halfway down Princes street he created the Doric Vestibule as a minor entrance to the building and within two new courtyards that were surrounded by the rooms he built in 1790 and new rooms including printing offices for banknotes, the £5 Note Office and new offices for the Accountants, the Bullion Office off the Lothbury Court (1800–1808).
  • Rebuilding of the vestibule and entrance from Bartholmew Lane (1814–1818).
  • The rebuilding of Robert Taylor’s 3 Percent Consols Transfer Office and 3 Percent Consols Warrant Office and completion of the exterior wall around the south-east and south-west boundaries including the main-entrance in the centre of Threadneedle Street (1818–1827).

In 1807 Soane designed New Bank Buildings on Princes Street for the Bank, consisting of a terrace of five mercantile residences, which were then leased to prominent city firms.

A growing sign of Soane’s success was an invitation to become a member of the Architects’ Club that was formed on 20 October 1791, practically all the leading practitioners in London were members, and it combined a meeting to discuss professional matters, at 5:00 p.m. on the first Thursday of every month with a dinner. The four founders were Soane’s former teachers George Dance and Henry Holland with, James Wyatt and Samuel Pepys Cockerell. Other original members included: Sir William Chambers, Thomas Sandby, Robert Adam, Matthew Brettingham the Younger, Thomas Hardwick and Robert Mylne. Members who later joined included Sir Robert Smirke and Sir Jeffry Wyattville.

On 20 January 1807 Soane was made clerk of works of Royal Hospital Chelsea, he held the post until his death thirty years later, it paid a salary of £200 per annum. His designs were: built 1810 a new infirmary (destroyed in 1941 during The Blitz), a new stable block and extended his own official residence in 1814; a new bakehouse in 1815; a new gardener’s house 1816, a new guard-house and Secretary’s Office with space for fifty staff 1818; a Smoking Room in 1829 and finally a garden shelter in 1834.

Soane who was a freemason was employed to extend Freemasons’ Hall, London in 1821 by building a new gallery, later in 1826 he prepared various plans for a new hall, but it was only built in 1828–1831, including a council chamber, and smaller room next to it and a staircase leading to a kitchen and scullery in the basement. The building was demolished to make way for the current building.

In October 1791, Soane was appointed Clerk of Works with responsibility for St James’s Palace, Whitehall and The Palace of Westminster. Between 1795 and 1799 Soane was Deputy Surveyor of His Majesty’s Woods and Forest, on a salary of £200 per annum. James Wyatt’s death in 1813 led to Soane together with John Nash and Robert Smirke, being appointed official architect to the Office of Works in 1813, the appointment ended in 1832, at a salary of £500 per annum. As part of this position he was invited to advise the Parliamentary Commissioners on the building of new churches from 1818 onwards. He was required to produce designs for churches to seat 2000 people for £12,000 or less though Soane thought the cost too low, of the three churches he designed for the Commission all were classical in style. The three churches were: St Peter’s Church, Walworth (1823–24) for £18,348; Holy Trinity Church Marylebone (1826–27) for £24,708; St. John’s Bethnal Green (1826–28) for £15,999.

Soane designed several public buildings in London, including: National Debt Redemption Office (1817) demolished 1900; Insolvent Debtors Court (1823) demolished 1861; Privy Council and Board of Trade Offices, Whitehall (1823–24) remodelled by Sir Charles Barry the building now houses the Cabinet Office; in a new departure for Soane he used the Italianate style for The New State Paper Office, (1829–1830) demolished 1868 to make way for the Foreign and Commonwealth Office building.

His commissions in Ireland included: Dublin, Soane was commissioned by the Bank of Ireland to design a new headquarters for the triangular site on Westmoreland Street now occupied by the Westin Hotel. However, when the Irish Parliament was abolished in 1800, the Bank abandoned the project and instead bought the former Parliament Buildings. In 1808 he started work on the design of the Royal Belfast Academical Institution, for which he refused to charge. Building work began on 3 July 1810 and was completed in 1814. The remodelling of the interior has left little of Soane’s work.

Country homes for the landed gentry included: new rooms and remodelling of Wimpole Hall and garden buildings, (1790–94) for his friend Philip Yorke that he met on his Grand Tour; remodelling of Baronscourt, County Tyrone, Ireland (1791);Tyringham Hall (1792–1820); the remodelling of Aynhoe Park (1798); In 1804 Soane remodelled Ramsey Abbey none of his work there now survives; the remodelling of the south front of Port Eliot and new interiors (1804–06); the Gothic Library at Stowe House (1805–06); Moggerhanger House (1791–1809); for Marden Hill, Hertfordshire, Soane designed a new porch and entrance hall (1818); remodelling of Wotton House after damage by fire (1820); a terrace of six houses above shops in Regent Street London, (1820–21) demolished; Pell Wall Hall (1822). Among Soane’s most notable works are the dining rooms of both numbers 10 and 11 Downing Street (1824–26) for the Prime Minister and Chancellor of Britain.

In 1811, Soane was appointed as architect for Dulwich Picture Gallery, the first purpose-built public art gallery in Britain, to house the Dulwich collection, which had been held by art dealers Sir Francis Bourgeois and his partner Noel Desenfans. Bourgeois’s will stipulated that the Gallery should be designed by his friend John Soane to house the collection. Uniquely the building also incorporates a mausoleum containing the bodies of Francis Bourgeois, and Mr and Mrs Desenfans. The Dulwich Picture Gallery was completed in 1817. The five main galleries are lit by elongated roof lanterns, thus freeing the walls from reflections and maximising the wall area for paintings, and it has influenced the design of art galleries ever since.

As an official architect of the Office of Works Soane was asked to design the New Law Courts at Westminster Hall, he began surveying the building on 12 July 1820. Soane was to extend the law courts along the west front of Westminster Hall providing accommodation for five courts: The Court of Exchequer, Chancery, Equity, King’s Bench and Common Pleas. The foundations were laid in October 1822 and the shell of the building completed by February 1824. Then Henry Bankes launched an attack on the design of the building, as a consequence Soane had to demolish the facade and set the building lines back several feet and redesign the building in a gothic style instead of the original classical design, Soane rarely designed gothic buildings. The building opened on 21 January 1825, and remained in use until the Royal Courts of Justice opened in 1882, after this the building was demolished in 1883 and the site left as lawn. All the court rooms displayed Soane’s typically complex lighting arrangements, being top lit by roof lanterns often concealed from direct view.

In 1822 as an official architect of the Office of Works, Soane was asked to make alteration to the House of Lords at the Palace of Westminster. He added a curving gothic arcade with an entrance leading to a coutyard, a new Royal Gallery, main staircase and Ante-Room, all the interiors were in a grand neo-classical style, completed by January 1824. Later four new committee rooms, a new library for the House of Lords and for the House of Commons alterations to the Speaker of the House of Commons house, and new library, committee rooms, clerks’ rooms and stores, all would be destroyed in the fire of 1834.

One of Soane’s largest designs was for a new Royal Palace in London, a series of designs were produced c.1820-1830. The design was unusual in that the building was triangular, there were grand porticoes at each corner and in the middle of each side of the building, the centre of the building consisted of a low dome, with ranges of rooms leading to the entrances in each side of the building, creating three internal courtyards. As far as is known it is not related to an official commission and was merely a design exercise by Soane, indeed the various drawings he produced date over several years, he first produced a design for a Royal Palace while in Rome in 1779.

The Royal Academy was at the very centre of Soane’s architectural career, in the sixty four years from 1772 to 1836 there were only five years, 1778 and 1788–91 in which he did not exhibit any designs there. Soane had received part of his architectural education at the Academy and it had paid for his Grand Tour. On 2 November 1795 Soane was elected an Associate Royal Academician and on 10 February 1802 Soane was elected a full Royal Academician, his diploma work being a drawing of his design for a new House of Lords. There were only ever a maximum of forty Royal Academicians at any one time. Under the rules of the Academy Soane automatically became for one year a member of the Council of the Academy, this consisted of the President and eight other Academicians.

After Thomas Sandby died in 1798, George Dance, Soane’s old teacher was appointed professor of architecture at the Academy, but during his tenure of the post failed to deliver a single lecture. Naturally this caused dissatisfaction, and Soane began to manoeuver to obtain the post for himself. Eventual Soane succeeded in ousting Dance and became professor on 28 March 1806. Soane did not deliver his first lecture until 27 March 1809 and did not begin to deliver the full series of twelve lectures until January 1810. All went well until he reached his fourth lecture on 29 January 1810, in it he criticised several recent buildings in London, including George Dance’s Royal College of Surgeons of England and his former pupil Robert Smirke’s Covent Garden Theatre. Naturally Royal Academicians Robert Smirke (painter) father of the architect and his friend Joseph Farington led a campaign against Soane, as a consequence the Royal Academy introduced a rule forbidding criticism of a living British artist in any lectures delivered there. Soane attempted to resist what he saw as interference and it was only under threat of dismissal that he finally amended his lecture and recommenced on 12 February 1813 the delivery of the first six lectures. The rift that all this caused between Soane and George Dance would only be healed in 1815 after the death of Mrs Soane.

The twelve lectures, they were treated as two separate courses of six lectures, were all extensively illustrated with over one thousand drawings and building plans in total. The lectures were:

  • Lecture I – traced ‘architecture from its most early periods’ and covered the origin of civil, military and naval architecture.
  • Lecture II – outlined the Classical architecture of the ancient world continuing on from the first lecture.
  • Lecture III – an analysis of the five Classical orders, their application and the use of Caryatids.
  • Lecture IV – use of the classical orders structurally and decoratively and for commemorative monuments.
  • Lecture V – the history of architecture from Constantine the Great and the Decline of the Roman Empire to the rise of Renaissance architecture, followed by a survey of British architecture from Inigo Jones to William Chambers (architect).
  • Lecture VI – covered arches, bridges the theory and symbolism of architectural ornament.
  • Lecture VII – appropriate character in architecture and the correct use of decoration.
  • Lecture VIII – the distribution and planning of rooms and staircases.
  • Lecture IX – the design of windows, doors, pilasters, roofs and chimney-shafts.
  • Lecture X – landscape architecture and garden buildings.
  • Lecture XI – a discussion of the architecture and planning of London contrasting it with Paris.
  • Lecture XII – a discussion of construction methods and standards.

Soane over the course of his career built up an extensive library of 7,783 volumes, this is still housed in the library he designed in his home now museum of 13 Lincoln’s Inn Fields. The library covers a wide range of subjects: Greek and Roman classics, poetry, painting, sculpture, history, music, drama, philosophy, grammars, topographical works, encyclopaedia’s, runs of journals and contemporary novels.

Naturally architectural books account for a large part of the library, and was very important when he came to write his lectures for the Royal Academy. The main architectural books include: several editions of Vitruvius’s De architectura, including Latin, English, French and Italian editions, including the commentary on the work by Daniele Barbaro. Julien-David Le Roy’s Les Ruines des plus beaux monuments de la Grèce, Johann Joachim Winckelmann’s Geschichte der Kunst des Alterthums, in its French translation bought in 1806 just before Soane was appointed to the professorship. Marc-Antoine Laugier’s Essai sur l’Architecture. Jacques-François Blondel’s nine volumes of Cours d’architecture ou traité de la décoration, distribution et constructions des bâtiments contenant les leçons données en 1750, et les années suivantes. Six works by Quatremère de Quincy, including the Dictionnaire historique de l’Architecture. These are some of the major thinkers who influenced Soane and his own writings.

Soane also acquired several illuminated manuscripts: a 13th-century English Vulgate Bible; a 15th-century Flemish copy of Josephus’s works; four book of hours, two Flemish of the 15th century and early 16th century, Dutch of the late 15th century and French 15th century; a French missal dated 1482; Le Livre des Cordonniers de Caen, French 15th century; Marino Grimani’s commentary of the Epistle of St. Paul to the Romans the work of Giulio Clovio.

Other manuscripts include: Francesco di Giorgio’s mid-16th century Treatise of Architecture; Nicholas Stone’s two account books covering 1631–42, and his son also Nicholas Stone Sketch Book (France & Italy) 1648 and Henry Stone’s sketch book 1638; Margaret Cavendish, Duchess of Newcastle-upon-Tyne’s The Second Epistle; James Gibbs’s A few short cursory remarks on buildings in Rome; Joshua Reynolds’s two sketches books from Rome; Torquato Tasso’s early manuscript of Gerusalemme Liberata.

Incunable in the library include: Cristoforo Landino’s Commentario sopra la Comedia di Dante, 1481; S. Brant Stultifera Navis 1488; Boethius’s De Philosophico Consolatu, 1501. Other early printed books include: J.W. von Cube, Ortus Saniatis 1517 and Portiforium seu Breviarum ad Sarisbursis ecclesiae usum 1555; William Shakespeare’s Comedies, Histories and Tragedies 1623 First Folio.

In 1792, Soane bought a house at 12 Lincoln’s Inn Fields, London. Later purchasing 13 Lincoln’s Inn Fields, he used the house as his home and library, but also entertained potential clients in the drawing room. The houses along with 14 Lincoln’s Inn Fields, is now Sir John Soane’s Museum and is open to the public for free.

Between 1794 and 1824 Soane remodelled and extended the house into two neighbouring properties — partly to experiment with architectural ideas, and partly to house his growing collection of antiquities and architectural salvage. As his practice prospered, Soane was able to collect objects worthy of the British Museum, including the alabaster sarcophagus of Seti I.

After the Seti sarcophagus arrived at his house in March 1825, Soane held a three-day party, to which 890 people were invited, the basement where the sarcophagus was housed was lit by over one hundred lamps and candelabra, refreshments were laid on and the exterior of the house was hung with lamps. Among the guests were the then Prime Minister Robert Jenkinson, 2nd Earl of Liverpool and his wife, Robert Peel, Prince Augustus Frederick, Duke of Sussex, Samuel Taylor Coleridge, J.M.W. Turner, Sir Thomas Lawrence, Charles Long, 1st Baron Farnborough, Benjamin Haydon as well as many foreign dignitaries.

He also bought Greek and Roman bronzes, cinerary urns, fragments of Roman mosaics, Greek vases many displayed above the bookcases in the library, Greek and Roman busts, heads from statues and fragments of sculpture and architectural decoration, examples of Roman glass. Medieval objects include: architectural fragments, tiles and stained glass. Soane acquired 18th century Chinese ceramics as well as Peruvian pottery. Soane also purchased four Indian ivory chairs and a table.

Francis Leggatt Chantrey carved a white marble bust of Soane. Soane also acquired Sir Richard Westmacott’s plaster model for Nymph unclasping her Zone and the plaster model of John Flaxman’s memorial sculpture of William Pitt the Younger.

Of ancient sculptures a miniature copy of the famous sculpture of Diana of Ephesus is one of the most important in the collection. After the death of his teacher Henry Holland, Soane bought part of his collection of ancient marble fragments of architectural decoration. He also acquired Plastercasts of famous antique sculptures include.

Soane’s paintings include: four works by Canaletto and paintings by Hogarth: the eight canvases of the A Rake’s Progress the four canvases of the Humours of an Election. Soane acquired three works by his friend J. M. W. Turner. Thomas Lawrence painted a three quarter length portrait of Soane, that hangs over the Dining Room fireplace. Soane acquired 15 drawings by Giovanni Battista Piranesi. Soane’s friend John Flaxman, sketched Soane’s wife, this is framed and displayed in the museum.

There are over 30,000 architectural drawings in the collection. Of Soane’s drawings of his own designs (many are by his assistants and pupils, most notably Joseph Gandy), there are 601 covering the Bank of England, 6,266 of his other works and 1,080 prepared for the Royal Academy lectures. There are an additional 423 Soane drawings in the collection of the Victoria and Albert Museum.

Other architects with drawings in the collection are by Christopher Wren, there are 8,856 drawings by Robert Adam and James Adam, John Thorpes book of architecture, George Dance the Elder’s 293 and George Dance the younger’s 1,303, housed in a specially designed cabinet, Sir William Chambers, James Playfair, Matthew Brettingham, Thomas Sandby, etc. There are a large number of Italian drawings. Of the 252 architectural models in the collection 118 are of Soane’s own buildings.

In 1833, he obtained an Act of Parliament, sponsored by Joseph Hume to bequeath the house and collection to the British Nation to be made into a museum of architecture, now the Sir John Soane’s Museum. George Soane, realising that if the museum was set up he would lose his inheritance, persuaded William Cobbett to try and stop the bill, but failed.

Awards, official posts and recognition:

  • On 10 December 1772 Soane was awarded the Royal Academy’s Silver Medal.
  • On 10 December 1776 Soane was awarded the Royal Academy’s Gold Medal.
  • On 10 December 1777 Soane was awarded the Royal Academy’s travelling scholarship.
  • On 16 October 1788 Soane was made architect to the Bank of England
  • On 2 November 1795 Soane was elected an Associate Royal Academician.
  • On 21 May 1796 Soane was elected to the Society of Antiquaries of London.
  • In May 1800 Soane was one of the 280 proprietors of the Royal Institution.
  • On 10 February 1802 Soane was elected an Royal Academician of the Royal Academy.
  • On 28 March 1806, Soane was made Professor of Architecture at the Royal Academy, a post which he held until his death.
  • In 1810 Soane was made a Justice of the Peace for the county of Middlesex.
  • On 15 November 1821 Soane was elected a Fellow of the Royal Society.
  • On 21 September 1831, Soane received a knighthood from King William IV.
  • On 20 June 1835 Soane was presented by Sir Jeffry Wyattville with a Gold Medal, from the ‘Architects of England’, modelled by Francis Leggatt Chantrey it showed the likeness of Soane on one side and the north-west corner of the Bank of England on the other.

On 24 June 1781 Soane leased rooms on the first floor of 53 Margaret Street, Westminster, for £40 per annum. It was here he would live for the first few years of his married life and where all his children would be born. In July 1783 he bought a grey mare that he stabled nearby. On 10 January 1784 Soane took a Miss Elizabeth Smith to the theatre, then on 7 February she took tea with Soane and friends, and they began attending plays and concerts together regularly. She was the niece and ward of a London builder George Wyatt, whom Soane would have known as he rebuilt Newgate Prison. They married on 21 August 1784 at Christ Church, Southwark. He always called his wife Eliza, and she would become his confidante.

Their first child John was born on 29 April 1786. His second son George was born just before Christmas 1787 but the boy died just six months later. The third son also called George was born on 28 September 1789, and their final son Henry was born on 10 October 1790 but died the following year from Pertussis.

On the death of George Wyatt in February 1790 the Soanes inherited money and property, including a house in Albion Place, Southwark, where Soane moved his office.

On 30 June 1792 Soane purchased 12 Lincoln’s Inn Fields for £2100. He demolished the existing house and rebuilt it to his own design, the Soanes moving in on 18 January 1794. By 1800 Soane was rich enough to purchase Pitzhanger Manor Ealing as a country retreat, for £4,500 on 5 September 1800. Apart from a wing designed by George Dance, Soane demolished the house and rebuilt it to his own design and was occupied by 1804, Soane used the manor to entertain friends and used to go fishing in the local streams.

In June 1808 Soane purchased 13 Lincoln’s Inn Fields for £4,200, initially renting the house to its former owner and extending his office over the garden to the rear. On 17 July 1812 number 13 was demolished, the house was rebuilt and the Soanes moved in during October 1813. In 1823 Soane purchased 14 Lincoln’s Inn Fields, he demolished the house, building the Picture Room attached to no. 13 over the site of the stables, in March 1825 he rebuilt the house to match externally no. 12.

Soane hoped that one or both of his sons would also become architects. His purchase of Pizhanger Manor was partially an inducement to this end. But both sons became increasingly wayward in their attitude and behaviour, showing not the slightest interest in architecture. John was lazy and suffered from ill health, whereas George had an uncontrolable temper. As a consequence Soane decided to sell Pitzhanger in July 1810.

John was sent to Margate in 1811 to try and help his illness and it was here that he became involved with a woman called Maria Preston. Soane agreed reluctantly to John’s and Maria’s marriage on 6 June, on the agreement that her father would produce a dowry of £2000, which failed to happen. Meanwhile George who had been studying law at Cambridge University developed a friendship with James Boaden. George developed a relationship with Boaden’s daughter Agnes and one month after his brother’s wedding married her on 5 July. He wrote to his mother ‘I have married Agnes to spite you and father’.

George Soane tried to extort money from his father in March 1814 by demanding £350 per annum, and claiming he would otherwise be forced to become an actor. Agnes gave birth to twins in September, one child died shortly after. By November her husband George Soane had been imprisoned for debt and fraud. In January 1815 Eliza paid her son’s debts and repaid the person he had defrauded to ensure his release from prison.

In 1815 an article was published in the Champion for 10 to 24 September entitled The Present Low State of the Arts in England and more particularly of Architecture. In the article Soane was singled out for personal attack, although anonymous it soon emerged that his son George had written the article. On 13 October Mrs Soane wrote ‘Those are George’s doing. He has given me my death blow. I shall never be able to hold up my head again’. Soane’s wife died on 22 November 1815, she had been suffering from ill health for some time. His wife’s body was interred on 1 December in the churchyard of St Pancras Old Church. He wrote in his diary for that day ‘The burial of all that is dear to me in this world, and all I wished to live for!’. George and Agnes had another child, this time a son born in 1815, Frederick.

In 1816 Soane designed the tomb above the vault his wife was buried in it is built from Carrara marble and Portland Stone. The tomb avoids any Christian symbolism, the roof has a pine cone finial the symbol in Ancient Egypt for regeneration, below which is carved a serpent swallowing its own tail, symbol of eternity, there are also carvings of boys holding extinguished torches symbols of death.

The inscription is:
Sacred To The Memory of Elizabeth, The Wife of John Soane, Architect She Died the 22nd November, 1815. With Distinguished Talents She United an Amiable and Affectionate Heart. Her Piety was Unaffected, Her Integrity Undeviating, Her Manners Displayed Alike Decision and Energy, Kindness and Suavity. These, the Peculiar Characteristics of Her Mind, Remained Untainted by an Extensive Intercourse With The World.

The design of the tomb was a direct influence on Giles Gilbert Scott’s design for the red telephone box. Soane’s elder son John died on 21 October 1823, and was also buried in the vault. Maria Soane’s daughter-in-law was now a widow with young children including a son also called John in need of support. So Soane set up a trust fund of £10,000 to support the family.

Soane found out in 1824 that his son George was living in a Ménage à trois with his wife and her sister by whom he had a child called George Manfred. Soane’s grandson Fred and his mother were both subjected to domestic violence by George Soane, including beatings and in Agnes’s case being dragged by her hair from a room. Soane refused to help them while they remained living with his son, who was in debt. However by February 1834 Soane relented and was paying Agnes £200 per annum, also paying for Fred’s education. In the hope that Fred would become an architect, after he left school, Soane placed him with architect John Tarring. In January 1835 Tarring asked Soane to remove Fred, who was staying out late often in the company of a Captain Westwood, a known homosexual.

On Monday 6 August 1810 Soane and his wife set off on a thirteen-day tour of England and Wales. They normally rose at five or six in the morning and would visit many towns and monuments a day. Starting in Oxford they visited New College, Oxford, Merton College, Oxford, Blenheim Palace and Woodstock, Oxfordshire, where they stayed the night. Next day they went to Stratford-upon-Avon and Shakespeare’s Birthplace, Church of the Holy Trinity, Stratford-upon-Avon to visit Shakespeare’s tomb, Kenilworth Castle, Warwick Castle, Whitley Abbey, Coventry and on to Lichfield. They next travelled to Liverpool, staying for four nights at the Liverpool Arms near Liverpool Town Hall. They attended a performance of Othello with George Frederick Cooke as Iago. Among the people they visited was Soane’s former assistant Joseph Gandy, then living in the city. Their son John was also living and studying with Gandy, in a failed attempt to become an architect. They visited John Foster (architect). Leaving Liverpool on Saturday 11, they crossed the River Mersey to the Wirral Peninsula and on to Chester where they saw the Rows and greatly admired Thomas Harrison’s work at Chester Castle. From Chester they visited Wrexham, Ellesmere, Shropshire. On Sunday they moved on to Shrewsbury, visiting architect George Steuart’s St Chad’s Church, Shrewsbury. Monday they headed for Coalbrookdale, with The Iron Bridge then on to Buildwas Abbey. The journey continued down the River Severn to Bridgnorth then Ludlow and Ludlow Castle, Leominster. Wednesday 15 they were in Hereford, where they visited Hereford Cathedral and the Gaol designed by his friend John Nash. Continuing on they reached Ross-on-Wye. from where they journeyed down the River Wye stopping at Tintern Abbey, glimpsed Piercefield House one of Soane’s designs and arriving in Chepstow. Before moving on to Gloucester Cathedral and Gloucester where they spent the night. The next day they headed for Cheltenham, returning through the Cotswolds. Where they visited Northleach and Witney where they spent their last night on the tour. Next day they travelled via High Wycombe and Uxbridge, on to their home at Pitzhanger Manor in Ealing for a days angling. Returning at nine o’clock at night on Monday 17 to their home in Lincoln’s Inn Fields.

Soane was initiated on 1 December 1813 as a freemason, Soane did not like organised religion and was a Deist. Soane was very much influenced by the ideas that belonged to the enlightenment, and had read Voltaire’s & Jean-Jacques Rousseau’s works.

Soane was taken ill on 27 December 1813 and was incapacitated until 28 March 1814, when he underwent an operation by Astley Cooper on his bladder to remove a fistula.

For the first time since his Grand Tour Soane decided to travel abroad, he set off on 15 August 1815 for Paris returning on 5 September. In the summer of 1816 Soane’s and his late wife’s mutual friend Barbara Hofland, persuaded him to take a holiday in Harrogate, there they visited Knaresborough, Plompton and its rocks, Ripon, Newby Hall, Fountains Abbey and Studley Royal Park, Castle Howard, Harewood House and Masham.

Soane visited Paris again in 1819, setting off on 21 August, he travelled via Dunkirk, Abbeville and Beauvais arriving in Paris. He stayed at 10 rue Vivienne, over the following days he visited, the Pont de Neuilly, Les Invalides, Palais du Roi de Rome, Père Lachaise Cemetery, Étienne-Louis Boullée’s chapel at Sainte-Roche, the Arc de Triomphe, Vincennes and the Château de Vincennes, Sèvres, Saint-Cloud, Arcueil with its ancient Roman aqueduct, Basilica of St Denis, Chamber of Deputies of France, Saint-Étienne-du-Mont, Arc de Triomphe du Carrousel, Musée du Louvre, Luxembourg Palace, Palace of Versailles with the Grand Trianon and Petit Trianon with its Hameau de la reine, Halle aux blés, Halle aux vins, Jardin des Plantes, Bassin de la Villette with its Rotonde de la Villette by Claude Nicolas Ledoux, Tuileries Palace, Château de Malmaison, he failed to gain admission to the Château de Bagatelle, he travelled home via Amiens and Amiens Cathedral, Abbeville, stopping of to visit Canterbury and Canterbury Cathedral.
On 24 December 1825 Soane underwent an operation to have a cataract removed from his eye.

In 1835 Soane had this to say:
Devoted to Architecture from my childhood, I have through my life pursued it with the enthusiasm of a passion.

Soane included many members of the Royal Academy as friends including J. M. W. Turner, who was professor of drawing at the Royal Academy, with whom he spent the Christmas after his wife’s death as well as owning three works by the artist; John Flaxman was an old friend, he was professor of sculpture at the Royal Academy and Soane also acquired several plastercasts of Flaxman’s work for his museum; Thomas Banks again Soane owned sculptures by him; Thomas Lawrence who painted Soane’s portrait; despite falling out with his old master, George Dance the Younger, they were firm friends after his death Soane purchased Dance’s drawings; after the death of his other teacher Henry Holland, Soane tried to buy his drawings and papers, but found they had been destroyed, but did purchase some of his antique sculptures; despite being rivals Soane got on with fellow architect John Nash, they often dined together. Soane called on William Thomas Beckford both in London and when he was taking the waters in Bath, Somerset in 1829. Soane had other friends including: James Perry, Thomas Leverton Donaldson, Barbara Hofland. As well as several lifelong friendships he formed while on the Grand Tour, including Rowland Burdon.

Soane died, a widower and estranged from his surviving son George, who he felt had betrayed him, contributing to his own mother’s death. Having caught a chill, Soane died in 13 Lincoln’s Inn Field at half past three on Friday 20 January 1837. His obituary appeared in the Monday 23 January edition of The Times. Following a private funeral service, at his own request it was ‘plain without ostentation or parade’, he was buried in the same vault as his wife and elder son.

Within days of his father’s death George Soane, left an annuity of £52 per annum, challenged Soane’s will. Soane stated that he was left so little because ‘his general misconduct and constant opposition to my wishes evinced in the general tenor of his life’. To his daughter-in-law Agnes he left £40 per annum ‘not to be subject to the debts or control of her said husband’. The grounds for overthrowing the will were that his father was insane. On 1 August 1837 the judge at the Prerogative court rejected the challenge. George appealed but on 26 November dropped his suit.

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Jane Austen and Ghosts.

Not only do I write Regency and Romance, but this can take a humorous turn. Some years back, I am sure readers of this blog will be aware that some writers began to take great liberty with Jane Austen and her works. Pride and Prejudice being liberally rewritten with the inclusion of zombies.

Then other books appeared with sea monsters, and werewolves and vampires. President Lincoln has even made it to the big screen where he is intent on sending foul creatures to hell. It occurred to me, even before I read any of this literature, that Jane would probably not appreciate what had been done to her classic piece.

That the tales and her life have become visual spectacles that we enjoy she might not like either, but is perhaps resigned to. That zombies, ghosts and vampires are now used to follow her own plot lines would I think, have her turning over in her grave. Jane Austen and Ghosts is my take on that.

It is now available in a variety of formats. For a limited time it has been reduced to $2.99 for your eReaders and $8.99 for paperback you can get this Jane Austen adventure.

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In the world of moviemaking, nothing is as golden as rebooting a classic tale that has made fortunes every time before when it has been adapted for the silver screen.

Certainly any work by Jane Austen made into a movie will not only be bankable, but also considered a work of art. That is of course until the current wave of adaptations that unite her classic stories with all the elements of the afterlife is attempted to be created.

That these have found success in the marketplace amongst booklovers may not be quite understood by those who make movies. But that they are a success is understood and a reason to make them into movies.

All that being said, perhaps it would also be fair to say that the very proper Jane, were she present to have anything to say about it, would not be pleased. Of course she has been away from this Earth for nearly 200 hundred years.

But does that mean were she upset enough, she wouldn’t come back?

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Regency Personalities Series
In my attempts to provide us with the details of the Regency, today I continue with one of the many period notables.

Peter Burrell 1st Baron Gwydyr
16 June 1754 – 29 June 1820

Peter Burrell 1st Baron Gwydyr featured in English politics at the end of the 18th century but he was best known for his involvement in cricket, particularly his part in the foundation of Marylebone Cricket Club in 1787. Burrell has been called the third most influential member of the White Conduit Club and of the early MCC, after George Finch, 9th Earl of Winchilsea and Charles Lennox, 4th Duke of Richmond. He was educated at Eton College and St John’s College, Cambridge.

The son of Peter Burrell, he was a well known political figure and, apart from a couple of years in the early 1780s, was an MP from 1776 to 1796. The highlight of his career was his role as Deputy Lord Great Chamberlain, jure uxoris, in the famous trial of Warren Hastings. Hastings had been the first Governor-General of India from 1773 to 1786 but in 1787 he was impeached and subsequently tried for corruption; but was acquitted in 1795.

The playing career of Sir Peter Burrell extends to just 9 known first-class matches from 1785 to 1790. He played for Kent in a couple of matches although he was a Londoner by birth and his family seat was in Sussex. He was a very useful batsman as indicated by his highest innings of 97 playing for White Conduit Club v Gentlemen of Kent at White Conduit Fields on Thursday, 30 June and Friday, 1 July 1785.

In 1779 he married Priscilla Bertie, 21st Baroness Willoughby de Eresby; they had two children.

A Trolling We Will Go

Not only do I write Regency and Romance, but I also have delved into Fantasy.

The Trolling series, (the first three are in print) is the story of a man, Humphrey. We meet him as he has left youth and become a man with a man’s responsibilities. We follow him in a series of stories that encompass the stages of life.

We see him when he starts his family, when he has older sons and the father son dynamic is tested. We see him when his children begin to marry and have children, and at the end of his life when those he has loved, and those who were his friends proceed him over the threshold into death.

All this while he serves a kingdom troubled by monsters. Troubles that he and his friends will learn to deal with and rectify.

It is now available in a variety of formats. For $.99 you can get this fantasy adventure.

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The Valley Kingdom of Torahn had been at peace for fifty years since the Council of Twenty-One saw fit to dispense with their royal family.

The only Kingdom without a King on the west side of the continent. But late last year, something caused the Goblins in the Old Forest, Karasbahn to stir and act courageous.

Something that men can not remember seeing Goblins ever doing. What has gotten the Goblins in such a state?

Whatever it is, it can not be good news for Torahn. Or for Humphrey, a woodcutter for a small town, far from Karasbahn.

But part of the Kingdom’s militia, with no family or other exemptions. He is perfect to be sent to the Old Forest and find out what scares the Goblins that they have become fearless.

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